Rose and Wass investigate the consequences of flattening the hierarchy of the spatial and kinetic operations that govern their relative practices. During their performative investigation, they attempt to simultaneously discern the compositional limitations and recognize the freedom suggested by the immediacy of the moment. As the sonic and corporeal palettes reveal themselves, an infinite number of ways of manipulating those palettes is also revealed.
Andrew Wass: movement
Simon Rose: baritone/alto saxophones
July 31, 2014
for a video of the performance on video click here.